Your African Music Covered

Friday, 10 October 2014

KINGS OF MUSIC

http://assets.boomkat.com/images/376754/333.jpg

People across Africa are paying tributes to Tabu Ley Rochereau the legendary Congolese musician who inspired a continent died in a Belgian hospital aged 76. 

 He was “the messenger,” “the baobab of Congolese rumba,” or “Prince Rochereau”. A day after legendary Congolese singer-songwriter Tabu Ley Rochereau died aged 76 in a Belgian hospital, tributes to one of Africa’s greatest sons and most beloved musicians were pouring from across the continent.

“RIP Tabu Ley. The African music has lost a true icon,” tweeted a well-known Kenyan musician. “Rest in peace to one of the planet’s great singers, Tabu Ley Rochereau,” tweeted a respected US music critic.
Another seasoned Africa correspondent based in the UK noted, “Amazing there is nothing in the Sunday papers on Tabu Ley Rochereau, a musical megastar with political significance, who died yesterday.”
More than half-a-century after most African nations gained independence, it’s still a challenge for the continent’s musicians to access a truly international platform.
But for world music aficionados and his African fans who danced, romanced and swooned to his tunes, Rochereau was the man who internationalised Congolese music – singing in three European languages besides his native Lingala, fusing Congolese folk music with Cuban, French pop, rock ‘n’ roll, funk, as well as Caribbean rumba.
The legendary musician is considered one of the pioneers of soukous, a genre of dance music that has its roots in African rumba music of the Belgian Congo and French Congo in the 1940s.
He is probably best known for singing the pan-African hit, “Independance Cha Cha,” which became the unofficial nationalist anthem for the newly independent African states. The 1960 African rumba song vocalised the hopes of an optimistic bygone era and it can still be heard blasting from radios in villages, hamlets, drinking-dens and rickety boats across the continent.








From musician to politician
Born Pascal-Emmanuel Sinamoyi Tabu on November 13, 1937 in the eastern Bandundu province of then Belgian Congo, he joined a band after high school.
In the mid-1950s, his musical career took off when he joined a group led by Joseph Kabasele, better known as “La Grand KallĂ©”. During the heady days shortly before independence, Kabasele wrote the song, “Independence Cha Cha” and when Rochereau sang the hit tune, he shot to instant fame.
It was not long before the Congolese musician was leading his own bands, including the Orchestre Afrisa International and after that, there was no looking back.

He took the name “Tabu Ley” during then president Mobutu Sese Seko’s “Zairization” process to rid the country of its colonial vestiges.
But in 1988, Rochereau left what was then Zaire to go into exile in Europe, where he recorded his album, “Trop, c’est trop” (Too much is too much) – which was banned by Mobutu’s regime.
Rochereau returned to his homeland only after Mobutu’s 1997 ouster, when he took up a cabinet ministerial position under the new president, Laurent Kabila. According to the AFP, Rochereau had hoped to become minister of culture but eventually settled for the post of vice-governor of Kinshasa.
Rousing a continent – and selling soap
A prolific songwriter, Rochereau recorded at a relentless pace, often using some of the best local sidemen. While his flexibility and experimentation produced a diverse oeuvre, the Rochereau trademark remained a light musical style and voice. It was a sophistication acknowledged in one of the few Rochereau albums produced in the US, “The Voice of Lightness”.
Rochereau’s voice was so eclectic, it could soar the hopes of an entire continent with a rousing pan-African anthem and soothe babies with a pleasant advertising jingle. In a music review in The Guardian, critic Robin Denselow noted that Rochereau’s famous “Savon Omo” is “surely the most charming soap commercial ever recorded”.








In 2008, the veteran musician suffered a stroke, from which he never recovered until his death on Saturday morning at St. Luc Hospital in Brussels, according to his son-in-law Jean Claude Muissa.
The veteran Congolese star will be given a state funeral in his homeland and will be buried in the Congolese capital of Kinshasa. He is survived by nearly 68 children from different women{Article by samuel.k.ngacha}
Africa is really coming up,one of my favorite musician called FUSE ODG.. Most of you would know him as TINA (This is new Africa).
some of the songs people should list to are:
1.dangerous love ft.sean paul
2.Antenna ft.wyclef jean
3.Azonto
They will not disappoint and you will see that this is the new Africa.

N.M.K

LADY JAYDEE: Tanzanian queen of R&B.



Judith Daines Wambura Mbibo aka Lady Jaydee aka "Binti Machozi" (owner of Machozi Band) started singing in church at the age of 7 and in the mid 1990s she was a member of the Afro Reign group. It was not until 2001 when she released her first solo album titled “Machozi” which crowned her Tanzanian Best Female Artist in 2001. She has continued winning numerous awards in and out of Tanzania including the most recent awards in South Africa during the Channel O Video Music Awards Best. She has  recorded with a number of artists including Samba Mapangala (Congo), Chameleone (Uganda), Mad Ice (Uganda / Tanzania), Matonya (Tanzania) and Mina Nawe (South Africa) amongst others. Some of her hit songs include : Yahaya, Joto Hasira featuring Professor Jay and Wangu featuring Mr.Blue.
      Leticia Bandiho Chausi.

Thursday, 2 October 2014

Yvonne Chaka Chaka: Mgombothi




Yvonne Chaka Chaka is one of South Africa’s best-loved daughters. An acclaimed singer, she has been an integral part of the country’s music industry for more than 25 years.
Born into a humble Soweto family in 1965 as Yvonne Machaka, she broke onto the local music scene when just a teen with the disco-inspired hit, I'm in Love with a DJ. This radical new sound was unlike anything audiences had heard before and quickly garnered her a following among South Africa’s urban youth. Her debut album of the same name went on to sell 35 000 copies, catapulting her into the limelight.
What followed was a string of hits that successfully merged mbaqanga (a rhythmical style with Zulu roots) influences with the new pop sounds, effectively positioning Chaka Chaka at the forefront of the so-called ‘bubblegum’ music genre both at home and throughout Africa.
By the late 80s Yvonne was South Africa’s hottest musical export, having toured Africa extensively and playing to sell-out stadium concerts in many countries. Throughout the 90s she continued to delight African audiences, her style evolving to reflect more Afro-traditional musical influences and her lyrics becoming increasingly personal.
Chaka Chaka’s dedication to and relationship with Africa earned her the title ‘Princess of Africa’. Among those who fondly refer to the star by this name is Nelson Mandela, who once said her music helped sustain him and others while imprisoned on Robben Island.
In fact, as a performer, Yvonne Chaka Chaka is no stranger to entertaining luminaries, having performed for Queen Elizabeth, ex-United States President Bill Clinton and several African heads of state. She has shared the stage with Bono, Angelique Kidjo, Annie Lennox, Youssou N'Dour and Queen.
In more recent years she enjoyed stints as a record producer, radio and TV presenter, talkshow host, actress and businesswoman. She has a keen interest in humanitarian work and is a Goodwill Ambassador for the United Nations’ Roll Back Malaria Partnership.
Yvonne Chaka Chaka has received numerous music awards throughout her career. In 2012 she was honoured for her humanitarian work when she received the World Economic Forum’s Crystal Award for artists who improve the world through their work. She was the first ever woman to receive the award.

courtesy of: http://www.southafrica.net/za/en/articles/entry/article-yvonne-chaka-chaka


Collins Kimani


Monday, 29 September 2014

SADE:SMOOTH OPERATOR

HERE SHE IS


I want to marry herBut iam just 20 and she is 52...she would probably have me sent to prison over it!
Ok i want to marry her daughter!She is 28 years old too!okay i give up!But she is just too pretty to ignore and yes she is so Nigerian.

Maybe you hadn't known her because of the low profile she likes to keep despite the consntant knocks on her door compelling her to be compared with Beyonce or get to do a collabo with Drake ahaha which i think will totally work magic.

The Nigerian Songstress is despicable in whatever she does with her music.Sade is basically the name of her band where she is the lead singer and what they focus on is classical music which never comes of age.
Right Here

The videos of her songs generally speak of her age which the music never speaks of though.Her mellow voice and the simplicity of the video plus the compliment the band with cowboys makes the music travel a million years ahead of where it should be.

Listen to most of the classical music radio stations and television stations at present and you would realize that she rules the charts and playlists around.

Her music has won the hearts of many including the Grammys where she had won best band of the year.
What a better way to speak of what we Africans can do musically other than  follow in Sade's footsteps!



By Elijah Charles Kiage

Saturday, 27 September 2014

Diamond Plutinumz: Number one: Good voice

I know what you are already thinking after reading that headline: 'The boring Bongo Music that gets winning artists crying loudly about how much they love their lovers blah blah blah!!!'
You will be wrong if you imagined that Number one will fall into that category.

Diamond has done what our fellow Tanzanian brothers may want to call 'Bongo Fuishon bana!'He has literally started pro-founded and propounded a new era in Contemporary Bongo Flava music with a touch of punk pop that we have not been used to in the recent years and especiallly not from Tanzania.

I have been personally a great sucker at Listening let alone dancing to Bongo music but the introduction beats to the song will make anyone rise up to the occasion.Talk of a well cooked production!
HAIL MR. DIAMOND!!!!



 When listening to this song,you can not avoid  to notice the way this man focuses on the delivery of the beautiful poetry that we Africans are known for.He lambasts(forgive my big words and pardon my honest excitement  for this review )his verses with an acute performance from the flashy setting and the lively not to say exquisite performers who back up the song.

It has been time coming before we witnessed Tanzanians whose humility and satisfaction for little or simply satisfying so to speak rose up to the occasion and showed us that they can as well embrace
 bounty and well this man doesn't hide a thing from his pocket in this masterpiece of a poem shouting out loud how we Africans have also got to the map through our music.

The highly anticipated African Muzik Magazine Awards held at the prestigious Eisemann Center with a
galaxy
of African stars gracing the city of Dallas. The biggest African Muzik Awards in Diaspora had the big African Stars like Flavour, Diamond Platnumz , Togar Howard , Stanley Enow, Wyre, Alaine, Khuli Chana, the African King of Pop and International superstar
T-pain
dazzle on the stage with electrifying performances.
This night however turned out to be about this Man Diamond who scooped most of the words surplus to being crowned as the best East African musician  just to speak of a few of the accolades that swaung his way at the awards .

This is just more than prove that we Africans are here to fly and that this Man Diamond,he is just starting!!!

What a good voice!

Diamond has a very good voice that captures even the inattentive person. Wah! he is really gifted. I believe he has not done some panel beating on the voice but he has it naturally from God.

Edwin Wachie 

Mariam Makeba Song: Mbube (Lion).

www.youtube.com/watch?v=P2gMLCLSZ9w

I can't control myself when I hear this song.But I have nothing to do with Africa... Nor me not my ancestors...I'm going insane when I hear African songs - I start dancing even if I'm sitting in the office or lying in a bed.. I close my eyes and my body starts moving itself...  Am I crazy...? What is happening to me...?
 This are exact words of my British Friend who over heard me listen to this song in my car and he went crazy and openned up about what Makeba makes her feel whenever he wise mouth opens up.

Miriam Makeba, also known as "Mama Africa," was a popular South-African singer who introduced Xhosa and Zulu songs to Western audiences. She is best known for the songs "Pata Pata," "The Click Song" and "Malaika."

Miriam Makeba was born in South Africa in 1932. Her singing appearance in the documentary film Come Back, Africa (1959) attracted the interest of Harry Belafonte. With his help, Makeba settled in the United States, where she embarked on a successful singing and recording career. In 1965, she and Belafonte won a Grammy Award for best folk recording. She received renewed attention in the mid-1980s, after she met Paul Simon and joined Simon's history-making Graceland tour,her singing career rose up till she met her death in the year 2008.May God Rest Her Soul in Eternal Peace but her music never rests neverthless.
MAMA AFRICA


In 1962, Makeba performed at the birthday celebration of President John F. Kennedy. In 1965, she and Belafonte released the album An Evening with Belafonte & Makeba, which includes two duos by the musicians: "Train Song" and "Cannon." The album earned Makeba and Belafonte a Grammy Award for best folk recording in 1966.

Sorry for me going on and on about the life of this woman who i adore passionately though who activism but what i want you not to forget his her creativity to speak to you instead of her singing.
Her chosen genre  of afro lounge and soul music serenades her vocals well and drives all her music to desirability which is no wonder even the best movies around keep using her music to date.

The likes of Makeba are the reason why most of Africans can even dream of singing to be heard by other audiences leave alone the inspiration to talk about issues while entreratining.